MEDIA INFORMATION FOR RELEASE
“We are not humans having a spiritual experience, but spiritual beings having a human one.”
~ Pierre Teilhard de Chardin
The
Next
Humanity
is a
creative
collaborative
If you’re asking what is that,
then you are asking
the right question.
What will be the Next Humanity?
What will the world see in you,
as your version of the next humanity?
The Next Humanity ventures into high concepts, even in its name.
The idea of a dynamic, organic and living “collaborative” is itself a new and paradigm-shifting way of looking at human work groups. Joe Pine, author of “The Experience Economy” provided TNH insight and guidance to that mode of evoking contribution and perspectives. Creating experiences and assisting in transformational growth is part of that.
In an age of the single song emphasis for short attention span listening, the Next Humanity defies this to create a concept musical fashioned after rock operas and other long-form listening. It’s taken on a theatrical nature with a narrative, giving the impressionistic music greater context to reach for meaning.
Now that we know the what TNH is, let’s learn who are the people behind the music and media the collaborative produces.
Key People
Assembly of the cast and crew created a synergy to have the work gain a life of its own. The origin of the work starts with Bill Mullin, who is a life-long producer of marketing campaigns, music for media application, tech solution application development and creative living. From his song writing, he added orchestrators and arrangers to complement the intended emotional moments to portray.
Ric Flauding brought a west coast jazz, Christian worship and cinematic scoring flair, having arranged for David Benoit, John Patitucci, Eric Marienthal and Russell Ferrante, as well as working for Willow Creek and Crystal Cathedral. Carl Marsh is a consummate icon in Nashville orchestration, amplifying songs from Cirque de Soleil, Amy Grant, Manhattan Transfer and Michael W. Smith. Robin A. Smith has an extensive arranging background in British pop, rock and classical, having worked for Tony Visconti, the legendary producer of David Bowie, T-Rex & Roxy Music. That led to The Moody Blues, Stevie Wonder and Andrea Bocelli. Phillip Keveren, a master in Nashville, conducted the orchestrations, as well as writing a few himself. Up & coming Christopher Gentle was hired for a copyist role, but also co-arranged tracks with Bill.
Doug Thiesen acts as musical and content quality assurance and spiritual guidance, having 35 years in music ministry and production. His approach to the contemporary church has been innovative and widening, bringing that vision-building to the collaborative, to reach into the open marketplace.
World-class performers
Talent pours from the group’s players and the highest caliper of recording technicians and facilities hosted the lively sessions.
Pat Coil, music director for Michael McDonald and wildly imaginative and interpretive on piano, provided great cohesiveness on the small ensemble and big movements. First call jazz players Danny Gottlieb and Carl Allen played drums, Chieli Minucci and Russ Hewitt are featured on guitar with Jon Hamer, Brian Allen, Craig Nelson on bass. The orchestral section features David Davidson, Kevin Bates and Leif Shires. Even the individuals within the violin, viola, cello, and woodwind sections have heavy credits, like touring with Ed Sheeran.
Tim Davis is a renowned Hollywood vocal director. Chances are you’ve already heard his work and voice for the TV show Glee, producing Lady Gaga, directing for legends -John Grobin, Celine Dion and Barbra Streisand. When Tim heard the orch tracks, he said “this is masterful”. Bill had to ask “Does that mean you’re in?”. He was all-in helping cast and coach.
You can tell, TNH is a lot of moving parts & people.
THE PODCAST MUSICAL
A first of it’s kind ~
Bill Mullin, the creator/producer reflects, “Once the songs materialized with collaborating artists, the project took on a life of its own. The songs kept coming, growing to 25 over three years, forming an overall dramatic arc with spoken word narratives of the stories within the songs. Now, that is long-form.”
The narrative that emerged represents a vulnerable, thoughtful Musical Memoir. The intention was clear, as Bill Mullin asked “why should the audience care?”
The answer was so you could see yourself and own your story, at your particular stage of life. The 5 Acts of the musical depict each of life’s stages and phases in the scenes and song.
The producer’s dilemma was how to deliver this long-form. What to do? The answer?
Bring the program into digital lifestyles of today! Make it an episodic series of a Podcast! The musical fits a streaming series format like videos on Netflix or other streaming channels.
Each episode delivers a couple song scenes. You can listen during a commute or drive. While exercising, unwinding from a day or on your audiophile system, the experience is meant to transport you.
As I Recall F( )REVER
explores the
“forever concept”
deep within our
human psyche,
taking us to a
new level
of understanding.
“He has made everything beautiful in its time. He has planted eternity in the human heart; yet no one can fathom”… ~Ecclesiates
JAZZ CHANNEL Moving Day
CHRISTIAN CHANNEL Silence
GENERAL CHANNEL JUST ASK
AUDIO TRAILER
SONG SAMPLER
Listen through the podcast & hear all music at:
AsIRecallFOREVER.com
Music available in several formats:
• a 3-vinyl-record box set with a Collector’s Edition 64 page Vision Book
• Ultra High Definition Audiophile tracks to download in 96K / 24 Bit resolution
• MP3 singles on the music streaming services.
Free Episode Excerpts On All Podcast Outlets
Full series subscription at AsIRecallFOREVER.com
Video Channel: Click to YouTube
Media & business inquiries: [email protected]
or submit form below to subscribe & request free press pass to musical
PHOTO GALLERY
MUSICAL PLAYBILL
LYRICS TO SELECT SONGS
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As I Recall F( )REVER and The Next Humanity are Trademarks of Significant Media & Music.
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